| COMM
103 |
Introduction
to Communication |
Students
develop an increased competency in communicating with
precision and style, and also are given an opportunity
to think critically and creatively about the process of
communication. Principles of interpersonal communication,
small group communication are covered as well as a focus
on public speaking. NOTE: A grade of B- or higher is
required in this course to be accepted as a Communication
Studies major. |
| COMM
200 |
Interpersonal
Communication |
A study of interpersonal
communication theories and concepts. Focus on the role
of communication in understanding and maintaining healthy
interpersonal relationships. Prerequisite: COMM 103 |
| COMM
203 |
Small
Group Communication |
A study of
the process and theories of communication in small groups.
The focus is on improving individual communication in
groups. Prerequisite: COMM 103 |
| COMM
210 |
Mass
Communication: Past, Present & Future |
This course
is designed to sensitize the student to the emergance
, current status, and future direction of American media
systems. Emphasis is placed on the political/economic
pressures that shape media systems and how the media shape
and influence mass culture. Prerequisite: COMM 103
or permission of instructor. |
| COMM
266 |
Introduction
to New Media |
An introduction
to the new visual technologies and basic concepts (mechanical,
visual, and aesthetic) for their creative use in the visual
arts. Those fields involved may include photography, film,
video, computer imagery and holography and other contemporary
media. Students will be introduced to these media through
lectures, direct laboratory experiences, discussion sessions
and creative problem-solving projects. No prerequisites:
ART 103 desirable. (Also listed as ART 266.) Fee $40. |
| COMM 302 |
History
and Criticism of Public Address |
A survey of
the principles of human public communication. Topics include
theories of public speaking, political and social movement
communication, and beginning rhetorical criticism. Special
attention is given to the communicative efforts of women
in the public arena. Taught in the spring semester. Prerequisite: 12
hours of communication courses |
| COMM 303 |
Advertising
in Society |
The study of
the role of advertising in contemporary society. Topics
include the history and sociology of advertising and the
analysis of advertising and marketing efforts from a communication
perspective. Prerequisite: COMM 103 |
| COMM 304 |
Public
Relations |
The course provides
both theoretical knowledge and practical experience in
the skills and techniques that cover several closely associated
areas: writing for public relations, copy dissemination,
media use and media network design ranging across internal
and external media, print, electronic and audiovisual media. Prerequisite:
COMM 103. |
COMM 307
|
Organizational
Communication |
This course
examines communication processes that shape diverse oprganizational
settings. Topics include the study of organizational culture,
managerial communication, the construction of gender roles
within organizational settings, and the role of communication
in designeding progressive work environments. Prerequisite:
COMM 103. |
COMM 308
|
Persuasion |
Assessment of
research and theory as they illuminate persuasion in interpersonal,
public and mediated communication contexts. Topics include
motivation, attitude information and change, social and
cultural influences, credibility and non-verbal aspects
of communication. Special attention is given to persuasive
appeals. Prerequisite: COMM 103 or permission of instructor. |
COMM 312
|
Argumentation |
The study of
argumentation as applied to public and mediated discourse.
Topics include: patterns of reasoning, identification and
analysis of fallacies, types of supporting evidence, presentation
and refutation of cases. Specific topics for analysis will
be taken from contemporary discussions of political, social
and economic issues. Prerequisite: COMM 103 or permission
of instructor. Taught during the spring semester. |
COMM 3l3
|
Journalism |
Techniques of
newswriting, editing, copy editing, feature writing and
newspaper makeup and publication. (Also listed as ENWR
313). |
COMM 324
|
Sign
Language |
Introduction
to basic sign language. American Sign Language syntax and
vocabulary is emphasized as well as sign communication
which focuses on the native language of the deaf. Appreciation
and awareness of deaf culture is a major consideration
within the course. (Also listed as EDU 324). |
COMM 330
|
Critical
Issues in Mass Communication |
This course
is designed to introduce students to: the political economy
of media institutions in a global environment; the media
effects research tradition; and ethical issues associated
with mass communication in culture. Special attention is
focused on information control in this age of convergence
of media institutions, the impact of computer technology
on social and community life, and privacy issues. Prerequisite:
COMM 210. Taught during the spring semester. |
COMM 333
|
Magazine
Writing |
The rich field
of periodical publications is the object of this course,
which offers students the opportunity to try their hands
at subject matters and voices both suitable to different
magazine readerships and reflective of their own interests
and opinions (Also listed as ENWR333). |
COMM 337
|
Introduction
to Communicative Disorders |
The causes,
characteristics and treatment of speech, language and hearing
disorders. Taught in the spring semester. |
COMM
350
|
Intercultural
Communication |
This course
introduces students to the role communication plays in
shaping interactions between members of different cultural
groups. Topics include the role of media as vehicles of
cultural expression, tourism as a characteristic type of
encounter between people, and the ways in which maps construct
the identity of social groups. Prerequisite: COMM 103. |
COMM 369
|
Public
Communication |
Investigation
of the role of public speaking in society, pairing theoretical
perspectives and experience with both extemporaneous and
manuscripted speeches. Prerequisite: COMM 103 or permission
of instructor. |
COMM 383
|
Art
and Entertainment Law |
A study of intellectual
property as it applies to art and entertainment. Topics
include: moral and economic rights, contracts, copyright,
unfair competition, privacy, publicity and censorship. |
COMM 384
|
Mass
Communication Law |
Exploration of
governmental regulations of electronic and print media
in America. Historical and contemporary analysis of law
in such areas as defamation, privacy, state secrets, obscenity,
copyright, regulation of advertising, access to government
information, free press/fair trail and regulation of broadcasting.
Prerequisite: COMM 210 or permission of instructor.
Taught during the fall semester. |
COMM 385
|
Research
in Communication |
Introduction
to modes of scholarly inquiry in communication, treatment
of historical and critical approaches as well as quantitative
scientific approaches. Prerequisites: 12 hours of communication
courses. Taught in the Spring Semester |
COMM 406
|
Marketing
Communication |
This course surveys the field of marketing communications
from the perspective of Integrated Marketing Communications.
The course explores the principles of consumer behavior
and mass communication as a theoretical basis as well
as practical aspects of the field, such as strategies
for media selection, message execution, and marketing
mix tools. Prerequisities: COMM 303 or COMM 304. |
COMM 454
|
Communication
Ethics |
Survey of ethical
theories focusing on their application to communication.
Interpersonal, small group, persuasion and mass media situations
will be considered. Prerequisites: 12 hours of communication
courses. |
|
COMM 486
|
Practicum/Production |
This course
allows students to gain hands-on experience with contemporary
video and multimedia technology. Students produce individual
or group projects that require them to designed and create
video or multimedia content. Prerequisite: Permission
of instructor. |
COMM 490
|
Special
Topics |
Topics of special
interest in communication not covered in the regular department
offerings. Recent offerings include Web pagedesign, Multimedia
Production, and Introduction to Videography. |
COMM 495
|
Seminar
in Rhetoric and Criticism |
A seminar critically
examining both written and oral rhetoric. Topics include
the varieties of rhetorical critical methods and frames.
The major component of this course is the design, execution,
and presentation of a critical essay. This course satisfies
the senior comprehensive requirement. Prerequisite:
COMM 302. Taught in the Fall Semester |
COMM 496
|
Seminar
in Advanced Research Methods |
A seminar to
facilitate the design, execution and critique of an individual
research project. This course satisfies the senior comprehensive
requirement. Prerequisite: COMM 385. Taught in the
Fall Semester |
COMM 497
|
Independent
Study |
Research for
the advanced student. Prerequisite: Permission of Department
Chair. May
be repeated for a maximum of six hours of credit. |
COMM 499
|
Internship |
Placement of
the advanced student in internship opportunities, generally
off-campus and within the local community. Designed specifically
for the speech and/or mass communication major, a typical
internship might be at a television or radio station, advertising
or public relations firms, or in the marketing or public
communication division of an area business. Prerequisites:
20 hours of Communication Studies course work. Offered
each semester. May be repeated. |
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| DANC
144 |
Modern
Dance Technique: Beginning |
An introduction
to movement concepts of modern dance. Designed for students
with no previous movement training. May be repeated.
|
| DANC 145 |
Improvisation |
Movement exploration
in response to given problems or ideas. Emphasis on individual
movement. May be repeated. |
| DANC 148 |
Jazz
Technique: Beginning and Intermediate |
A practical
course in contemporary jazz technique with application
to musical theatre. May be repeated. |
| DANC 240 |
Introduction
to Dance |
A survey of
dance as an art form presented in both lecture and studio
format. This course includes a brief history of dance and
dance theatre, a survey of dance in relation to other fine
art forms and a basic introduction to the creative choreographic
process. Movement analysis, evaluation and criticism will
be explored through kinetic and literary exercises. the
practical experience of this course is intended to develop
the student's personal aesthetic and appreciation of dance.
This course satisfies the fine arts requirement. |
| DANC 241 |
20th
Century Dance History and Aesthetics |
This course
addresses contemporary issues in the ballet and modern
dance idioms in the 20th century. through the study of
history and aesthetics, major works and choreographers
will be analyzed through film, video, criticism and creative
exploration. This course satisfies the fine arts requirement. |
| DANC 242 |
Dance
Composition & Improvisation |
An exploration
of the creative choreographic process incorporating elements
of composition. Improvisation will be used as a tool for
forming ideas, developing movement vocabulary and creative
problem solving. Solo and group choreography will be explored. |
| DANC 243 |
Repertory & Performance
Workshop |
Variable credit
offered for performance and production. Student must be
concurrently enrolled in a technique class. May be repeated
for a maximum of 9 credit hours. By audition only. |
| DANC 244 |
Modern
Dance Technique: Intermediate |
A course exploring
various approaches to technique, with emphasis on the concepts
of weight, space, time and flow. Prerequisite: DANC
144 or consent of the instructor. May be repeated. |
| DANC 245 |
Ballet
Technique: Intermediate |
A technique
course with an emphasis on correct alignment and proper
execution of barre and center exercise. Prerequisite:
DANC 145 or consent of the instructor. May be repeated. |
| DANC 248 |
Jazz
Technique: Intermediate & Advanced |
Jazz technique
at a more advanced level with emphasis on performance and
styles. Prerequisite: DANC 148 or consent of the instructor. (Elective)
May be repeated. |
| DANC 344 |
Modern
Dance Technique: Advanced |
A more advanced
technique course with an emphasis on execution and expression. Prerequisite:
DANC 244 or consent of the instructor. May be repeated. |
| DANC 345 |
Ballet
Technique: Advanced |
A continuation
of ballet technique with an emphasis on accuracy, style,
intricate combinations, strength, endurance and more complete
vocabulary. Prerequisite: DANC 245 or consent of the
instructor. May be repeated. |
| DANC 347 |
Pointe
Technique |
A course for
the advanced ballet student in the technique of pointe
work. Prerequisite: Consent of the instructor. May
be repeated. |
| DANC 397 |
Independent
Study |
Research for
the advanced student. Prerequisite: Consent of the instructor. |
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| THTR
135 |
Introduction
to Theatre |
A broad and
comprehensive view of theatre and how it communicates.
Fulfills the fine arts requirements. Offered every semester. |
| THTR 205 |
Introduction
to Acting |
Exploration
of the elements of a realistic acting technique. Emphasis
upon the application of these techniques to two-character
scenes. Fulfills the fine arts requirement. Offered every
semester. |
| THTR 245 |
Stagecraft |
An introduction
to the techniques of the backstage world. Areas of study
include scenic and property construction, scenic painting,
stage lighting, theatre safety and special effects. |
| THTR
265 |
Play
Analysis for the Theatre |
Reading and
analyzing play texts from theatrical and literary perspectives.
Fulfills the fine arts requirement. Offered once every
year. |
| THTR 305 |
Characterization |
Exploration
of the process of characterization with emphasis on techniques
of physical transformation and psychological realism. Prerequisite:
THTR 205 |
| THTR 355 |
Voice
and Movement |
Development
of techniques based on understanding and integration of
body/mind. Areas of study include body image, body awareness,
alignment, relaxation, stage combat, voice production and
vocal work on literature. |
| THTR 375 |
Rehearsal
and Performance |
Rehearsal and
performance of a faculty-directed production. Participation
as an assistant director, stage manager or actor in a 5-6
week rehearsal/performance period. May be repeated for
up to a maximum of 9 hours of credit. Prerequisite:
Audition, consent of the instructor. |
| THTR 377 |
Playwriting
I |
Principles of
writing for the stage. Emphasis on dramatic structure,
character development, plot management, dialogue and critical
analysis. |
| THTR 378 |
Contemporary
Drama |
An examination
of the texts and movements which comprise contemporary
theatre in England and America. |
| THTR
380 |
History
of Theatre |
A study of the
development of theatrical art, including the physical theatre,
production practices and cultural contexts, from the beginnings
in primitive rituals through contemporary time. |
| THTR 405 |
Playing
Shakespeare |
A technique
to equip the contemporary actor to deal more comfortably
with the textual and stylistic problems of acting Shakespeare. Prerequisite:
THTR 205. |
| THTR 410 |
Advanced
Topics in Acting |
Courses for
advanced actors. Possible topics: improvisation, Restoration
and 18th-century styles, Greek style, musical theatre,
and audition techniques. |
| THTR 430 |
Theatre
Management |
The principles
and practice of producing for the commercial stock, resident
college, and community theatre. |
| THTR 445 |
Scene
Design |
An in-depth
introduction to scenic, costume and light design for the
stage from concept to rendering. |
| THTR 455 |
Costume
Design |
The theory and
practice of costume design, including design projects. Prerequisite:
THTR 272 or permission of the instructor. |
| THTR 475 |
Stage
Directing |
Emphasis on
techniques and styles of directing for the stage. Readings,
exercises, and directing project. |
| THTR 477 |
Playwriting
II |
Principles of
dramatic writing focusing on the full-length form. Experiments
with a variety of techniques of composition including improvisation,
historical research and oral history. Prerequisite:
THTR 377 |
| THTR 480 |
Production
Projects |
Planning and
execution of a large-scale project. Students may design
for a faculty-directed show or choose to direct a project
themselves. Students taking their comprehensive in theatre
will sign up for this course, select, analyze, design,
direct and produce a one-act play during their senior year
of study. |
| THTR 488 |
Practicum |
Individual practical
projects for the advanced student. Prerequisite: Permission
of instructor. May be repeated for up to six hours
of credit. |
| THTR 490 |
Special
Topics in Theatre Studies |
Seminars in
theatre. Sample topics: production theory, women and the
stage, theories of acting, American playwrights. May be
repeated for credit. |
| THTR 497 |
Independent
study |
Research for
the advanced student. Permission required. |
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