D'Antuono, Nancy L.
Professor of Italian and Spanish
Department of Modern Languages
Saint Mary's College
Notre Dame, IN 46556-5100
dantuono@saintmarys.edu
Publications
Books: Boccaccio's
Novelle in the Theater of Lope de Vega. Studia Humanitatis Series.
Madrid: Porrœa Turanzas, 1983.
Book In progress . Calder—n's
Theater in Italy, 1650-1800.
Articles:
Invited: ÒForewordÓ/ÓPremessaÓ
to Andrea Perrucci, DellÕArte rappresemtativa premeditata ed
allÕimproviso
(1699): A Dual
Language Edition. Eds. And Trans. Francesco Cotticelli,
Thomas F. Heck and Anne Goodrich
Heck. Scarecrow Press. For publication in
2008.
Invited.
ÒTra storicitˆ e fantasia:
Il Motezuma di
Alvise Giusti con musica di Antonio Vivaldi.Ó Le Arti della scena e lÕesotismo in etˆ
moderna. Napoli:
Edizioni
Turchini, 2006, pp. 271-285
.
Invited: ÒGiacinto Andres Cicognini and Italian
Theater of the BaroqueÓ
Dictionary of Literary Biography. In press for early
2008.
Invited: ÒIl teatro in music a tra fonti spagnole e
commedia dellÕarte.Ó Commedia dellÕarte e
spettacolo
in musica tra Sei e Settecento. Eds.
Allesandro Lattanzi and
Paologiovanni
Maione. Napoli: Editoriale Scientifica, 2003, pp. 213-235.
Invited.
"Los italianos en la comedia del Siglo de Oro." Diccionario de la comedia del Siglo de Oro
Madrid:
Castalia, 2002, pp. 184-185
Invited:
ÒForewordÓ /ÓPremessaÓ to The Commedia dellÕArte in Naples/La Commedia
dellÕArte a
Napoli .
The Commedia
dellÕArte in Naples: A Bilingual
Edition of the One-Hundred
Seventy-Six Casamarciuano Scenarios. Ed. And
Trans. Francesco Cotticelli, Anne Goodrich
Heck and Thomas F. Heck. Scarecrow
Press, 2001, pp. xiii-xv.
Invited. "Matteo Bandello." Encyclopedia of the Renaissance.
New York: Charles Scribner's Sons.
In
press.
Invited. "Calder—n a la italiana: El hijo del
sol, Faet—n en la corte
virreinal de N‡poles
en
1685." Studies in Honor of
Everett Hesse
London: Tamesis, 1999, pp. 22-32
Invited. "Refashioning the Model: Spanish Golden Age Drama in Italian
Garb." In A Society on
Stage.
New
Orleans: University Press of the
South, 1998, pp. 31-43.
Invited. "La comedia espa–ola en la Italia del siglo XVII: la commedia dell'arte," In La comedia
espa–ola
y el teatro europeo del siglo XVII. London: Tamesis, 1998, pp. 1-36.
Invited.
"The Italian Fortunes of La dama duende," Hispanic Essays in Honor of Frank P.
Casa. eds. A. Robert Lauer and Henry W.
Sullivan. New York: Peter Lang, 1997,
pp.
201-216.
Invited. "El gracioso de Lope de Vega: m‡scarada
denenmascarada." Studies in Honor of Gilbert
Paolini.
Newark, Delaware: Juan de
la Cuesta, 1996, pp. 81-95.
Invited: "El repertorio calderoniano de
la commedia dell'arte."
Studia Aurea. Actas del
III Congreso
Internacional. Pamplona, 1996, pp. 141-149
"And The Story Goes 'Round and
'Round: The Genesis and Fortunes of Il Can dell'ortolano."
Italian
Culture. 12(1994): 106-123.
Invited. "Lope's Bastardo Mudarra
as Scenario and Opera Tragicomica in Seventeenth-Century
Italy,"
in Studies in Comedia Theory, Practice and Performance, Charles Ganelin
(West
Lafayette, Indiana: Purdue
University Press,1994), pp.178-200.
"The Evolution of Il Cavaliere perseguitato: Literary Interdependence in Bandello, Lope de Vega and
the Commedia dell'arte,"
Bulletin of the Comediantes,
44 (1992): 102-112."
L'Odio e l'amore: Two Eighteenth-Century Recastings of
Calder—n's Afectos de odio y amor,"
Romance
Language Annual, 2(1992): 128-138.
Invited.
"Pantalone Hispanicized.
The Comic Father Figure in Lope de Vega's La francesilla," Italo-Hispanic Literary Relations.
Ed. J. Heli Hern‡ndez.
Series #49. Potomac, Maryland: Scripta Humanistica, 1989, pp. 41-55.
"Calderonian Honor and the Commedia
dell«arte: Il Medico de Suo Honore," Studies in Golden Age
Theater. Selected Proceedings of the
Symposium on Golden Age Theater, 1987 Lanham,Maryland: University Press of America, 1988), pp.
127-136.
"The Commedia alla spagnolesca:
Theatrical Success, Literary Failure," Italiana.
Selected Papers from
the Proceedings of the American Association of Teachers of Italian, December, 1986
(River Forest, Illinois: Rosary
College, 1988) pp. 185-196
"Bandello, Lope de Vega and An
Unedited Commedia dell«Arte Scenario: Il castico
della disonesta moglie," La Chispa '83. Selected Proceedings.
Louisiana Conference on Hispanic Languages
andLiteratures (New Orleans:
Tulane University Press, 1984), pp.79-87.
"The Spanish comedia in Italy:
Lope's La discreta enamorada
and its Commedia dell«Arte
Counterpart,"
La Chispa '81. Selected
Proceedings. Louisiana Conference on
HispanicLanguages
and Literatures (New Orleans:
Tulane University Press, 1982), 69-81.
Fortuna-Occasio-Tempus:
Lope's El llegar en ocasi—n and its Italian Source," Kentucky
Romance
Quarterly, 38
(1981): 257-265.
"Lope de Vega y la Commedia dell«Arte:
temas y figuras," Cuadernos de Filolog’a.
Universidad de Valencia. 3, nos. 1-2: 261-278.
"La configuraci—n ambivalente de
El Mayordomo de la Duquesa de Amalfi
de Lope de
Vega," Teor’a
y realidad en el
teatro del Siglo XVII: la influencia
italiana. Actas del coloquio,
Roma, 16-19 noviembre, 1978).
Roma: Instituto Espa–ol de
Cultura,
1981,
pp.325-345.
"Pedro Navarro and Lope de
Vega: Polemic and
Creation," Romance Notes 20 (1980): 396-403.
Invited.
"Letteratura amena to
letteratura docente. The
Techniques of Adaptation in Lope's Boccaccian
Plays," Hispano-Italic Studies 2 (1979): 93-112.
"Genoese History and Lope de Vega's El
genovŽs liberal: Sources and Implications," Annali. Sezione
romanza. Instituto
Universitario Orientale. Naples, Italy, 18 (1976):
. 5-13
"Discreci—n as a Remedy Against Adverse
Fortune: Boccaccio's Third Story
of the Third Day and Lope's
La discreta enamorada,"
Bulletin of the Comediantes
17 (1975): 26-35.
Book Reviews:
Vega Carpio, Lope de. El Caballero de Olmedo. Ed.
Vega Carpio, Lope de. .Comedias de
tema religioso. Re-Creation and Re-Presentation.
Ed.
Elaine M. Canning. London:
Tamesis, 2004. 153 pp. Bulletin
of Spanish Studies,
In
press.
Vega Carpio, Lope de. Comedia famosa
de Los guanches de Tenerife y conquista de Ccanaria.
Edici—n,
introducci—n y notas de Eyda M. Merediz.
Newark, Delaware: Juan de la
Cuesta,
2003. 190 pp. Bulletin of
Spanish Studies,, 84
(2007): 128-129.
Vega Carpio, Lope FŽlix de. El Acero
de Madrid. Ed. Stefano
Arata. Madrid: Castalia, 2000. For
Bulletin of
Spanish Studies. Bulletin of Spanish Studies 80(2003): 755-756.
Zayas y Sotomayor, Mar’a de. La traic—n en la amistad/ Friendship Betrayed.
A bilingual edition.
Ed.
Valerie Hegrstom. Trans. Catherine Larson.
Lewisburg, Pennsylvania:
Bucknell University Press; London:
Associated University Presses, 1999. Bulletin of Hispanic Studies 78 (2001): 378-379.
Murrin, Michael. History and Warfare in the
Renaissance Epic . Chicago: University of Chicago Press,
Hispanic Review. 64 (1996): 395-396.
Esquival-Heinemann, B‡rbara P. Don Quijote's Sally Into The World
of Opera. New York: PeterLang,1993. Cervantes.
15(1995): 103-105.
Profeti, Maria Grazia. La vil quimera de este monstruo
c—mico. Estudios sobre el teatro
de Siglo
de Oro. Kassel: Edition Reichenberger, 1992. Bulletin of the Comediantes.
46(1994):
118-120.
Villa, Luisa. Esperienza e memoria: Saggio su Henry James.
Genova: il melangolo, 1989. Henry
James Review 15(1994): 226-230.
Pedro Calder—n de la Barca, El agua
mansa. Gu‡rdate del agua mansa.
Ed., Ignacio Arellano, Victor
Garc’a Ruiz. Kassel: Edition Reichenberger, 1989. Bulletin of Hispanic
Studies
70 (1993): 270-271.
Damiani, Bruno M. Francisco L—pez de Ubeda. La P’cara Justina. Madrid:
Porrœa Turanzas,
1982,
Kentucky Romance Quarterly,
31 (1984): 351-35
Ziomek, Henryk. Lo grotesco en la literatura espa–ola del Siglo de oro.
Madrid: Ediciones Alcal‡, 1983. Hispania, 68 (1985): 770-771.
Diez Borque, Jose M. Lope de
Vega. Teatro. Revista de Estudios Hisp‡nicos, 16 (1982): 130-131.
Christian, William A. Jr. Apparitions
in Late Medieval and Renaissance Spain.
Princeton: Princeton
University Press, 1981. Journal
of the American Academy of Religion, December,1982,
641.